The Turnip Snedder

  In ‘Stepping Stones’ (p 407) Heaney acknowledges to Dennis O’Driscoll that District and Circle was a time for ‘pouncing’ on poems; the inspiration for this opener was a photograph the poet saw visiting  in an exhibition by modernist artist Hughie O’Donoghue to whom he dedicates the piece. Associated with Heaney’s rural Irish ‘territory’, this manually driven turnip-crushing machine, a […]